Nedan följer ett urval av de projekt som utförts under Master utbildningen vid SLU, Alnarp.
Några av dessa är på engelska då det är en internationell utbildning.
Några av dessa är på engelska då det är en internationell utbildning.
Master's project
Examensarbete i Landskapsarkitektur 30 hp
Hur kan S:t Pauli kyrkogårdar i Malmö utvecklas i en historisk och samtida kontext?
Syftet med denna uppsats är att med utgångspunkt i platsens kulturhistoria samt dess utvecklade funktion som viktig grönyta i staden, utveckla ett konceptuellt gestaltningsförslag som kan påvisa potentialen i S:t Pauli kyrkogårdars framtida användning.
Med utgångspunkt i platsens kulturhistoria och nutida gestaltning är målet att presentera ett övergripande koncept för framtidens S:t Pauli kyrkogårdar - Norra, Mellersta och Södra samt att ge ett mer detaljerat designförslag för kvarter 12 och 14 på S:t Pauli Södra.
S:t Pauli kyrkogårdar är beläget i området Sorgenfri i Malmö där tillgången till gröna närområden för invånarna i dagsläget är begränsad. I framtiden skall ännu ett bostadsområde, Norra Sorgenfri, byggas intill kyrkogårdarna. Grönområden är inkluderade i planeringen av området men trycket och intresset för kyrkogårdarna, både som rofylld vistelseplats så väl som begravningsplats, kommer att finnas kvar.
LÄNK TILL FULLSTÄNDIG VERSION:
https://stud.epsilon.slu.se/13127/
Bevarande av historiska trädgårdsanläggningar
Trädgårdshistorisk dokumentation, delförfattare
Landskap och trädgårdsanläggningar vid Skarhult slott- Kulturhistorisk värdering och utvecklingskoncept
Uppsatsen handlar om Skarhult - ett av de bäst bevarade renässansslotten i Skåne. Syftet var att göra en kulturhistorisk värdering i de omgivande parkerna och trädgårdarna genom en historisk- och nulägesanalys. En del av uppdraget var också att, baserat på dessa värden, utarbeta ett förslag till utveckling som innefattar en större parkeringsplats, ett besökscentrum, en köksträdgård och en plan för hur besökarna kommer att ledas runt området utan att störa ägarnas privata trädgård.
Dynamic Vegetation Design
A path in transition- Josephine Philipsen, Maja-Lena Refsbäck and Åsa Wellander
The integration of people and nature, the contrasts in scale and enclosure, egdes between different structures and different biotopes. The stretch will start with a water pond that will extend through the whole area in both over- and underground storm water systems. It will then transcend into a wet and dry meadow, a wilder woodland area .In this way we will create a route of open, half-open, and closed rooms,showing the difference in a diverse historical miniature landscape.
Type 1: Dense three layered woodland
This stand will be a multi-layered woodland consisting of both tall and smaller trees, bushes of different sizes and shade tolerant perennials. It will work as an entry to the woodland and will stretch throughout the whole area. There will be a greater species mixture than usual in planted woodlands and more trees will be saved from the thinning, such as Juglans sp., Berberis sp., Corylus avellana, Acer platanoides, Morus sp., Malus domestica etc. (Some of the bushes, for example the hazels will have to be cut or rejuvenated to survive.) The understory will be rather diverse and hopefully make the conditions better for the ground flora, such as improving the soil, reduce damage from large raindrops and brake down winds (Gustavsson et al. 1994). The tree layer will stand for 40% and 60% will be divided between low and high growing bushes. (20% low growing, 40% high growing).
Type 1: Dense three layered woodland
This stand will be a multi-layered woodland consisting of both tall and smaller trees, bushes of different sizes and shade tolerant perennials. It will work as an entry to the woodland and will stretch throughout the whole area. There will be a greater species mixture than usual in planted woodlands and more trees will be saved from the thinning, such as Juglans sp., Berberis sp., Corylus avellana, Acer platanoides, Morus sp., Malus domestica etc. (Some of the bushes, for example the hazels will have to be cut or rejuvenated to survive.) The understory will be rather diverse and hopefully make the conditions better for the ground flora, such as improving the soil, reduce damage from large raindrops and brake down winds (Gustavsson et al. 1994). The tree layer will stand for 40% and 60% will be divided between low and high growing bushes. (20% low growing, 40% high growing).
Design Project- site, concept and theory
How to design landscape in eventual future flooding area
The design in this proposal is based on a “retreat”-strategy. Water is let into a re-shaped topography and seen as a positive and useful resource in the changing landscape. This means that the buildings and the infrastructure in the new water zone is moved to higher ground. In this case, higher ground is also expanded.
It is important, when designing for the uncertain, to be flexible and to design a solution that will be a functional landscape no matter what the outcome. If we are flexible with nature we have a better chance to use what nature offers to us, to be more cost effective and sustainable in that way.
Live inside of a recreational area on top of constructed hills, surrounded with the peaceful sounds of water and wildlife, overlooking the landscape and the sea. This salty marshland area with fluctuating water levels is also rich in biodiversity as well as activity and life quality.
UPPSATSER
Identity and Cultural Heritage through Landscapes in Paintings
Abstract: Landscapes in paintings has had a meaning for us humans throughout history, either they have had the function as a frame for other events and as a backdrop to other motifs. But what happened when landscapes became the main motif of the paintings? There are clear signs of how humans can relate and create their identity through the landscape in a painting and how the method has been used consciously with the aim of creating identity for others. It starts at an early age when we as children for e.g. are introduced in school to maps, landscape images and literature and we connect them into a whole. The paper focuses on the western part of the world and Europe. It is a literature study with an included interview to try to find out what landscape paintings mean for our identity. Paintings are representing regions and places as well as our inner identity.
The question is:
Can Landscape in paintings create identity and represent cultural heritage?
Identity and Cultural Heritage through Landscapes in Paintings
Abstract: Landscapes in paintings has had a meaning for us humans throughout history, either they have had the function as a frame for other events and as a backdrop to other motifs. But what happened when landscapes became the main motif of the paintings? There are clear signs of how humans can relate and create their identity through the landscape in a painting and how the method has been used consciously with the aim of creating identity for others. It starts at an early age when we as children for e.g. are introduced in school to maps, landscape images and literature and we connect them into a whole. The paper focuses on the western part of the world and Europe. It is a literature study with an included interview to try to find out what landscape paintings mean for our identity. Paintings are representing regions and places as well as our inner identity.
The question is:
Can Landscape in paintings create identity and represent cultural heritage?
PAPER.
Explorations into Landscape Architecture- Dilapidation of place.
Abstract: The effect that our surrounding area and its materials has on us humans has just recently regained its value. The human fascination towards the new and age resistant and our fear of ageing and dying is showing in our surroundings and vice versa. Is our indifference to the old, and neglecting to our need to be connected with history and place, affecting our wellbeing in a negative way?
This paper is literature study on the phenomenon of the human fears of ageing and dying, and literature about dilapidated places in order to see if there is a connection.
Explorations into Landscape Architecture- Dilapidation of place.
Abstract: The effect that our surrounding area and its materials has on us humans has just recently regained its value. The human fascination towards the new and age resistant and our fear of ageing and dying is showing in our surroundings and vice versa. Is our indifference to the old, and neglecting to our need to be connected with history and place, affecting our wellbeing in a negative way?
This paper is literature study on the phenomenon of the human fears of ageing and dying, and literature about dilapidated places in order to see if there is a connection.